ScottBaker
One thing I'm confused about is why Yun Ming retained his human consciousness and maybe memories? Other skeletons seem like they're just following the voice, barely aware. He's the only one who thinks, plans, and even has a name pop into his head. That's a major plot point I hope gets explained. Is he special? Was he reincarnated? The mystery is frustrating but in a good way.
So far the story seems to be a typical rebirth/revenge drama but without actual rebirth—just character growth. However, the crow might bring transmigration elements.
The dinner scene in the slum was unexpectedly warm. The cheap rye bread that's like a brick, the roasted potatoes with crushed salt, and Valen's sea stories—it's simple but feels so cozy. You can see how much they care for each other. The contrast with the later banquet in the governor's mansion makes this moment even more precious. It's the heart of the story for me.
1 The brother's development from a resentful, eye-contact-avoiding boy to a clingy “Onii-sama” is realistic and touching. He didn't like her at first, felt awkward, pinched her too hard, cried when she cried. It's not a magical instant sibling bond. It feels earned. His awkward attempts to hold her were laughably bad, but he learns. He even fights his father's presence to be with her. He became my favorite character because he actually grew up during the vacation.
