The teacher’s sudden change to begging after being caught is a classic face-slapping conclusion. The story doesn’t give her any dignity, which is the point. But the image of her kowtowing with blood on her forehead is extreme. It could be triggering for some readers. But in genre, it’s standard.
2 I’m not fully convinced about the “destiny” angle. The old tree says Lin Yi is destined to be king, marry the queen, etc. It feels a bit too predetermined. I prefer protagonists who shape their own fate through choices and struggles, not just birthright. But Lin Yi’s cautious and grounded personality gives me hope that he’ll make unexpected decisions instead of just following a prophecy.
The time management in the first few chapters is tight. Rebirth, hospital trip, space acquisition, mom confession, asset liquidation, house renovation, and stockpile categorizing all happen within a few days of in-story time. It doesn't feel rushed because the author gives just enough detail for each event. The author trusts the reader to follow the momentum. The fast pacing fits the character's goal perfectly: "I don't have three months to angst, I have three months to get ready." It creates a great sense of urgency without being confusing or exhausting to read.