I’m also curious about the human world outside the sewer. The memory says humans have developed a new era after the invasions, but down here, it’s just rats and monsters. The contrast between the grand human cities and this filth is stark. Mos’s goal is to return to that human world, which makes the sewer feel like a tutorial dungeon.
I have a few concerns about pacing: the transition from the exam to the classroom felt slightly abrupt. The reader isn’t given much time to process the exam result before being thrown into new characters and rules. Also, the 500-pound-lard nickname for Lin Baolong feels a bit jarring if the tone is supposed to be serious in some parts. But overall, the novel quickly establishes its world and stakes, which is a good sign for a web serial.
The writing has a raw, almost amateur feel at times. Phrases like “charming and moving” and “fair-skinned and beautiful” are direct translations from Chinese stereotypes. The dialogue can be cringey, especially when the MC says “my wife” to everyone. But it's also part of the charm – it's not trying to be literary. It's pure entertainment.
I want to know more about the original owner's relationship with Lu Qingyue. The story mentions Shen Chi gave her a love letter three years ago when he first transmigrated, presumably while he was still figuring out his new identity. It seems like he's completely over it now, but I'm curious if there's any residual emotion or if he truly sees her as a stranger. The way he forgot who she was initially suggests complete detachment, which is refreshing for a protagonist.
When Qin Zhuo shows up, I wasn’t sure what to expect. Childhood sweetheart? But he actually seems nice, protecting her. I liked that he immediately figures out she’s a zombie but doesn’t treat her like a monster. The way he stops Chen Yunfei from shooting her shows loyalty. And his teasing – calling her “Little Youxiang” and praising her – that’s sweet. But also he’s a bit manipulative, getting her to use her space ability for him. Interesting character.
Zhao Xingyue's body image is handled way better than I expected. She's described as fat, but it's not just a punchline—her strength from hauling meat and her family's profession justify it. When she says her body was fed "bite by bite with meat," I actually felt proud of her. It's refreshing to see a female lead who isn't apologizing for her size.
I really like how the novel handles the balance between inner thoughts and external action. When Yu Mu is in the Cold Prison, we get extended interior reflection that feels earned because we understand his emotional state. But when action happens (like Yun Buqi arriving), the narration shifts back to external description. This helps maintain momentum while still giving us depth. The author has a good sense of when to zoom in and when to zoom out.
The scene where Chu Jingshan agrees to her conditions has good tension. The advisor whispering reminds me of how she needs allies. But the minister’s anger foreshadows future conflict, especially with Madam Tao.
The emotional core of the story is Lin Xiaoxiao’s protectiveness over Qing’er. Even though she’s not born yet or is very young in this timeline, her determination to save her from a bad ending is a classic “I want to save my favorite character” fantasy. That is extremely relatable for people who consume media. The scene where she vows no one will take Qing’er away made me feel warm. It gives the story direction. However, I worry that if Qing’er is too distant in the timeline, the middle of the novel might lack a main antagonist (Xiao Yanzi and Ziwei aren’t there yet). The author will need to fill time with court intrigue or other Qiong Yao characters. So far, they’ve introduced Lan Xin and hinted at future conflict, which is promising. But I hope the pacing doesn’t drag with too many side stories before the main plot kicks in.
The writing style is straightforward, which is good. It doesn't try to be flowery or poetic. It just tells you what happens. But sometimes it feels a bit too simple. Descriptions like "the man was angry" or "he was scared" are a bit basic. I wish the author used a few more specific words to paint the emotions.